Darkness At 30

May 22, 2008



Darkness At 30

Originally uploaded by Phil At Sun

On June 2, 1978 Bruce released Darkness On The Edge Of Town. Radically different from the romantic, word-drunk mini-operas of his first 3 albums, this album was lean and mean. The bittersweet nature of life was openly admitted and the music became more focused–no
jazzy experiments, no bar band by the sea funkiness. The music hinted at folk and country, while packing a sonic boom of rock guitar.

This anniversary also marks my conversion to the Church of Bruce. Thirty years ago I sliced off the cellophane wrap on my vinyl copy of Darkness and all truth was revealed. I joke, but the album did make me a diehard fan–a Tramp. (you know–Tramps like us . . .). I hadn’t bought any of the early albums, my teen ears were more attuned to Skynyrd, Aerosmith and ZZ Top. I thought Bruce was too soft. Boy, Darkness certainly buried that notion.

I may have been impressed as a youth by Darkness and its musical power, but as a Boomer rapidly approaching middle age, the power in Darkness is even more in the lyrics. My favorite Springsteen lyric still rings true:

some guys just give up living
and start dying, little by little, piece by piece
some guys get home from work and wash up
and go racing in the streets.

The power of Darkness is not the belief that everything will work out fine. Its power is in acknowledging that we may be screwed, but persevering anyway.

Before going off to play the album, check out this essay by the critic Joyce Millman, who maintains that Bruce found his adult political voice on Darkness. Also, dream about being at this recent show: the entire E Street Band, in a theatre show, playing all of Darkness (and all of Born To Run) in album order.


Bruce and Little Steven Listmania

May 2, 2008

Time Magazine has named Bruce one of the 100 most important people of 2008. He’s one of only three musicians, the others being Miley Cyrus and Mariah Carey. It’s a weird kind of tribute. Sean Penn’s written profile is almost unreadable:
“In the chain of our responses to the most influential art, or artists, of our day, there is a link for most of us, an image. One could describe it as a honey-drip, slow-motion picture. We see one hand passing a baton into another, the influences of the influential. And in that rite of passage, Bruce Springsteen is no exception.”

Much more interesting is Little Steven’s profile of Alex Rigopulos & Eran Egozy, the creators of the video games Guitar Hero and Rock Band:

“The record business is over! there’s no new rock ‘n’ roll on the radio! Kids couldn’t care less about music! Quick, somebody call Alex and Eran. Yes, I mean Alex Rigopulos, 38, and Eran Egozy, 36, the Batman and Robin of Harmonix, who, with the video games Guitar Hero and now Rock Band, may have saved classic rock for generations to come . . .Just when it looked as if a generation of teenagers might grow up without falling in love with Lynyrd Skynyrd, the Who or the Rolling Stones, Rock Band has pulled them back into the musical gumbo that ate their parents (and perhaps their grandparents). Vive la Rock Band!”

In an article titled the “Best Of Rock”, circa 2008, Rolling Stone noted what we’ve always known, Bruce & The E Street Band are the best live performers in rock.

They also noted that the best punk band is Against Me!, giving them some street cred with oldsters like myself by mentioning that Bruce is a big fan.

Other opinions to which I found myself nodding my head vigorously in assent:

Best Forgotten Seventies Rock Genius: Lowell George (forget, like hell. “I miss Little Feat more than I miss being seven years old”–Bonnie Raitt)

Best Reunion: Led Zeppelin

Best TV Theme Song: “Way Down In The Hole” The Wire (but which of the 5 different versions?)

Best Bar Band Poets: The Hold Steady

Rolling Stone also asks Little Steven to pick the best garage rock of all time–he goes for two vets and two newbies: The Shadows of Knight, The Pretty Things, The Len Price 3 and The Chesterfield Kings (from Rochester–the band he thinks the most of right now.)


Life Continues On E Street

April 23, 2008

From Backstreets.com:

APRIL 22, TAMPA: “BETTER GET THIS RIGHT…. SOMEBODY’S WATCHING”

And the show goes on. Eight days after their last performance, five days after the passing of Danny Federici, and just one day after the funeral service, Bruce and the E Street Band took the stage in Tampa. There was no question that they’d be honoring Danny’s memory tonight. The real question might have been, how would they do it? The answer: by acknowledging the magnitude of the loss, by embracing Danny’s contributions to the band, by tapping a deep well of emotion and playing their hearts out all night.

The night began with a film montage. Bruce and the E Streeters came out and turned to watch the screen behind Max’s drums, standing stone-still as archival footage and stills from Danny’s life (remember that long, flowing hair?) played out across it, set to “Blood Brothers.” Patti was there, too, for her first show of 2008 — the E Street Band out in full force. A spotlight, meanwhile, lit up Danny’s organ riser (where his accordion was propped, too), and remained shining on the empty station for the band’s first song of the night, “Backstreets.” Bruce gave a raw and emotional howl at the end, and as he pointed to the organ, the light faded.

After the poignant opening, Charlie Giordano came out to join the band from “Radio Nowhere” on, remaining as subtle and discreet as you could possibly imagine on this night, while doing his job and doing it well. But emotional — even emotionally draining — as it was, it wasn’t a somber occasion. This was an intense performance, with each member of the band electrified. Solos — Max on “Badlands,” Steve on “Gypsy Biker,” Roy on “Racing in the Street” (yes, they did “Racing,”) Nils on “Because the Night” — burned even brighter. And Bruce himself put it all out there, starting with a thematic setlist clearly tailored to recall Federici’s place in this band of brothers and the impact of his musicianship on Springsteen’s work.

After “Gypsy Biker,” Charlie moved over to the piano as Roy strapped on the accordion for “4th of July, Asbury Park (Sandy).” “We want to thank you for all your prayers and condolences,” Springseen told the crowd. “Roy, you better get this right — somebody’s watching.” Soozie and Patti offered beautiful harmonies, and it was a magical performance of “Sandy.” Bruce wiped away tears and gave Roy a kiss. “One more fairy tale,” he said, leading the band into “Growin’ Up.” That song recalled the old days in more ways than one, as Bruce began a little story during the instrumental break with that familiar phrase, “There we were…”

“There we were, on the highest hill in Flemington, New Jersey… It was a sunny, hot summer morning… and the preacher said… ‘I took month-long vacations in the stratosphere…’”
“Thank you so much for coming out tonight and helping us through,” Bruce said as they came out for the encore. And he wasn’t just talkin’: the crowd — unusually full for a postponed show — was there at every turn, giving the energy back on sing-alongs like “Badlands,” “Out in the Street,” and “Waitin’ on a Sunny Day.” For the first encore song, Bruce pulled out the premiere of an old gospel standby, “I’ll Fly Away.” This one went out to Danny, of course, and everyone came down front — even Max, on tambourine — for a rousing rendition with a Seeger Sessions feel. Bruce called it “New Jersey bluegrass.”

A few songs later, “Spirit in the Night” was setlisted, but Bruce chose to replace it with one of the only unplanned songs of the night — “Tenth Avenue Freeze-out.” It was a fine choice, recalling the formation of the legendary band that Danny Federici was a part of from the beginning, its lyrics equal parts exasperation, determination, and celebration. Teardrops on the city, yes… and tonight they busted it in half for Danny.


Danny Federici, 1950-2008

April 18, 2008

Danny Federici, organist and (occasionally) accordion player for the E Street Band, died Thursday afternoon following a three year battle with melanoma (skin cancer). “The Phantom” played with Bruce for over 40 years.

Check out this video of
Danny playing accordion with Bruce and Nils playing acoustic guitars on “Fire.”

The Springsteen song that most comes to mind now is “Mary’s Place” from The Rising. The narrator wonders how, given the sadness and grief caused by the loss of a loved one, you can “live brokenhearted.” Amidst all the religious symbolism of the song, what really seems to pull the narrator through is the power of music, especially the music shared with the departed:

Seven days, seven candles
In my window light your way
Your favorite record’s on the turntable
I drop the needle and pray
Band’s countin’ out midnight
Floor’s rumblin’ loud
Singer’s callin’ up daylight
And waitin’ for that shout from the crowd . . .

Turn it up, turn it up, turn it up.

Donations may be made to the Danny Federici Melanoma Fund at the Sloan-Kettering Cancer Center.


God Speed Danny

April 18, 2008



God Speed Danny

Originally uploaded by Phil At Sun

Photo Credit: A.M. Saddler/Backstreets.com


As If I Needed Any More Convincing . . .

April 16, 2008

In a piece of news that is probably more important to this blog than any other in America: Bruce Springsteen has formally endorsed Barack Obama for President.

Summing up his feelings with a quote from his song “Long Walk Home” Bruce writes:

“LIke most of you, I’ve been following the campaign and I have now seen and heard enough to know where I stand. Senator Obama, in my view, is head and shoulders above the rest. He has the depth, the reflectiveness, and the resilience to be our next President. He speaks to the America I’ve envisioned in my music for the past 35 years, a generous nation with a citizenry willing to tackle nuanced and complex problems, a country that’s interested in its collective destiny and in the potential of its gathered spirit. A place where ‘…nobody crowds you, and nobody goes it alone.’ “

The New York Times notes another positive by-product of this endorsement. Now Hillary will have to stop playing “The Rising” during her campaign appearances.


Bruce’s iPod, Part 2

March 5, 2008

USA Today has posted an online feature that purports to show what’s on Bruce’s iPod. I took a spin through today and here’s what I found:

1) Bruce likes variety–187 songs by 138 different artists. He doesn’t slap on whole albums, it’s clearly a variety assortment.

2) The tape loop/beat heavy album he recorded in the Streets of Philadelphia era is a distant memory–only 1 hip hop track, “Bridging The Gap” by Nas.

3) D-Y-L-A-N ! ! ! 6 songs by Bob himself; 2 songs by Bob w/ special guests (Mavis Staples and The Band), 1 song by Joan Baez w/ Bob accompanying and at least 2 cover versions of Bob by others (Rainy Day and Rod Stewart!).

4) Country, both old and new: Hank Williams, Loretta Lynn, Johnny Cash, Charlie Rich share space with Neko Case, John Prine, Emmylou Harris, Jay Farrar, Joe Ely and Lucinda Williams.

5) Bruce is rockin’ a lot of classic gospel and blues: Clara Ward, Dixie Hummingbirds, Mahalia Jackson, Sam Cooke and the Soul Stirrers, Big Mama Thornton, Bukka White, John Lee Hooker, Mississippi John Hurt.

6) Friends, family and Bruce inspirations: Jesse Malin, Warren Zevon, Patti Scialfa, Sleater-Kinney (their cover of Promised Land) and Robert Mitchum (”The Ballad of Thunder Road”).

7) While there are a whole lot of bands I’ll have to Google to find out who they are and the music that they play, it seems that all the talk about his renewed interest in classic pop has ebbed with the recording and release of his album “Magic.” One Beach Boys tune (”Sloop John B.”) and one by Leonard Cohen is all I can find.

I hope to discover a bunch of good new music through this article. Bruce’s music has been extremely important to me, but articles about the music Bruce listens to himself has led me to several bands that I love, most notably Marah and The Hold Steady. This list is a treasure trove.

Also: I found another blog that prints out the entire list without the difficult navigation of the USA Today on-line graphic.


Bruce’s iPod

March 4, 2008

In addition to a good interview, this USA Today feature lets you scroll through what purports to be Bruce’s iPod! Among the rock ‘n’ roll rave-ups, older country, folk and blues and some newer indie rock, I notice something that’s gotta make one former Syracusan smile. Back in the day, as the lead guitarist and singer for the gritty local bar band The Works, Ed Hammell wore a Bruce badge on his guitar strap and talked often of his Springsteen mania. Well, Bruce is returning the favor.  He’s got Hammell On Trial’s song “Oughta Go Around” on his iPod.

This is the closest I’m going to get to Springsteen this week–I’m going to have to settle for this and updates from the various Bruce sites (and perhaps youtube) because I’m not going to the Rochester or Buffalo shows on Thursday and Friday. Sigh! I’m a grown-up with work and family responsibilities and an aversion to spending ungodly amounts of money on a show I saw just a couple of months ago. 


Too Weird Not To Be True

February 13, 2008

Reality television.  Bruce Springsteen.  Curling. MUST SEE TV!!!


Springsteen Grammy Nominations

December 6, 2007

Well, bumping up the release date of Magic on vinyl by a week helped Bruce snag four Grammy nominations, but none in the main categories of the night: Album, Song or Record of the Year.

Bruce did get several nominations in the Rock genre category:

Best Rock Album–Magic (competition: Daughtry, John Fogerty, Foo Fighters and Wilco)

Best Rock Song–Radio Nowhere (Lucinda Williams, White Stripes, Daughtry, Foo Fighters)

Solo Rock Vocal–Radio Nowhere (Beck, Paul McCartney, John Mellencamp, Lucinda Williams)

Bruce also snagged a nomination for Rock Instrumental performance for his contribution to the Ennio Morricone tribute album (We All Love Ennio Morricone): “Once Upon A Time In The West.” Listen to the competition here: Metallica, Rush, Joe Satriani and Steve Vai!

I’m betting that the Grammy’s will return to form and dis Bruce this year. Foo Fighters will win both rock song and album, not because they were any good, but because they were also nominated in the major categories of the night–record and album of the year and they definitely will not win those. Grammy’s like to give consolation prizes in the genre categories.

“Magic” wasn’t nominated for album of the year? It certainly should have been. However, “Radio Nowhere” will be hard pressed to beat out the collection of former Beatles, Chevy commercials, American Idols and indie heroes it’s up against. It’s an OK song, but not the best on the album.

My guess is Bruce may only take the instrumental award, since the Grammy’s have never liked hard rock. He’s the “safe” choice in that category. “Magic” gets shut out.

The Grammy Awards, they hate rock anyway. The greatest rock band ever (Rolling Stones) never won a Grammy for a song or album–just a belated “career achievement” award. Remember Christopher Cross? His album beat out the Clash’s London Calling in 1980. Enough said. Rockers should just rent a movie on Grammy night.